A friend asked me about adding CV and gate inputs to an Electro Harmonix EH400 Mini Synthesizer. Don't get it confused with their "Micro Synthesizer", "Micro Synth", "Mono Synth", "Synth 9", etc.
I couldn't find all that much about the synth, or how to mod it, but there is a low quality scan of the schematic. It's hard to make out, and the layout obscures what the parts of the circuit are.
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| Original schematic |
Of course I redrew it in Eagle CAD. I broke the circuit down into logical parts, laid them out in a more conventional way and labeled some signals.
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| Redrawn schematic |
The Oscillator
The oscillator uses a single comparator and is based on a classic relaxation oscillator.
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| A comparator-based hysteretic oscillator - Wikipedia |
It has some tweaks though. The osc can be turned on and off by applying a gate signal to D2. This is needed because there is no VCA; the oscillator has to be turned off to prevent it from droning.
The octave can be changed by toggling switch S1. It changes the configuration of the two timing caps from parallel to serial. This gives a 2 octave difference between the positions.
The addition of D1 keeps the timing caps from being charged up by the R4/R5 voltage divider through R3 and R2. Instead, they're charged by an external voltage that goes through R1 and R2.
The Keyboard
This brings us to the CV generation circuit. The lefthand side of the circuit lets the user dial in a voltage that will be put through the keyboard's chain of resistors (represented by one resistor labeled "KEYBOARD"). This voltage sets the maximum pitch, and allows for tuning and pitch bend.
It's worth noting that the keyboard is made of metal foil and doesn't have conventional, mechanical keys.
When a "key" is pressed, the KEYBOARD-C node will connect to a node on the resistor ladder. This will send current through the intonation trimmer and on to the oscillator, charging the timing capacitors.
Pressing a key also puts a voltage across C4 where it can be seen by comparator IC1C. It gets compared to a divided version of the voltage that was put into the keyboard. Due to the divider, C4's voltage will always be the more positive signal when a key is being pressed. This generates a gate signal at the comparator's output.
The LFO and PWM
The LFO is based on the same circuit as the main oscillator, not that anyone would be able to tell from the original schematic. They call it "phasing", but it's really accomplishing pulse width modulation by comparing the LFO with the main osc.
The "phasing" adjustment is an odd one. It changes the switching points of the LFO. This changes both the period and amplitude of the LFO. The actual rate that the timing cap charges/discharges stays the same though (in terms of voltage/time).
If the switch is toggled, it stops being an LFO and instead delivers a constant CV. The potentiometer now adjusts this voltage, and the comparator acts like a crude unity-gain buffer.
Here are both switch states modeled separately. Falstad doesn't like to simulate the right one at high speeds and it results in the capacitor draining some before the comparator notices. This happens to turn it back into an oscillator.
The Filter
The original's filter looks especially tangled and odd. It makes more sense once you see that R29 and R37 form a voltage divider that's used as a reference voltage. That said, it's still odd.
There are two stages to the filter and they're in parallel. They have the same topology, but are tuned differently (C8/C10 vs C12/C15). Switch S5 can be used to disconnect the lower stage, and boost the upper one.
Both stages are built around CA3094 OTAs. These chips are typical OTAs that include a darlington pair that acts as a buffer. One unique feature is that all three terminals of the pair are exposed at pins 1, 8 and 6.
Here's the Falstad simulation. The buffer design is based off of the CA3094's datasheet.
The Envelope
The envelope is interesting because it uses a start and stop voltage instead of amount/offset. Unfortunately, it doesn't perform very well (at least in the simulation).
Q1 should be applying the start voltage to C6 when the gate signal is low, but C6 is always influenced somewhat by the stop voltage via R21.
When the gate is high, the start voltage is disconnected, and gives the stop voltage full control.
C6 is buffered by Q4 and sent to the current control pins of the filter stages.
There's also a piezo disc that generates a voltage when the keyboard is played forcefully. It gets buffered by Q3 and Q2 before being tied directly to the envelope's capacitor.
Leftovers
Maybe later I'll get into adding the CV control that started this. The simple answer is to add an exponential current source in place of the keyboard resistor ladder. I suspect that the oscillator's sluggish reset will cause the tuning to go flat at higher pitches though.
It looks like a gate signal can be applied across C4 to recreate the signal from the keyboard.
The suboscillator is uninteresting as it's a simple d-type latch that's set up as a divider. The square output of the oscillator feeds into one half of the latch that seems to be used as a buffer, before going into the divider half.
There's also a 6V regulator built around a zener diode and a buffer transistor.
Lastly there's speaker amplifier that isn't drawn, because it's not relevant to the synthesis.
